Sunday, September 25, 2011

Rock on!

So I've neglected the blog for a couple of months, but this past week I had an experience that was awesome enough that I'm inspired to share.

I saw the Foo Fighters live!!

I know. I know. You're thinking, "Big whoop, Kathy," or some approximation of that.

Except, I SAW THE FOO FIGHTERS LIVE!!

Concerts are outrageously expensive these days. Several times over the last couple of years, Bruce and I have talked about going to this concert or that, and then we saw the ticket prices. We weighed dropping a bundle of cash on tickets, parking, gas (the best shows are never close), food and drink, and of course, the requisite concert t-shirt. Every single time, we decided the show would probably be good, but we just weren't big enough fans to do it.

None of those bands were The Foo Fighters.

I've been a fan for a long time. Before Wasting Light was released in April, I already had more Foo Fighters' songs on my iPod than any other artist's. I haven't bought an artist's whole album since digital download happened, and I wasn't forced to buy the whole thing to get the songs I wanted. Consequently, I didn't have whole Foo Fighters albums, although I did have bits and pieces from every album they had ever released. I saw a documentary on the making of Wasting Light a week before it dropped and promptly bought it on April 12. I don't even remember the last whole album I bought before that.

I rediscovered why buying a whole album is awesome. Some of the best songs aren't the ones released on the radio. "Rope" was the first song released for radio and it's not close to my favorite on the album. I love "Bridge Burning," "Arlandria," "I Should Have Known" and my current favorite "Dear Rosemary."

But I digress...

After I fell head over heels in love with the album, I knew I HAD to see them live. The first tour dates released were big festivals and European dates, however, on Facebook, they kept promising more US dates. I checked back almost every day. (Yes, I'm obsessive when I like something.) Finally, FINALLY, they announced a series of dates in the Midwest that included Columbus, Ohio, only three hours away. Yeah, it was on a Thursday and in the middle of football season (I am a teacher married to a college football coach), but I didn't care.

I found one awesome friend who was willing to throw caution and responsibility to the wind and drive to Columbus with me on a school night. We drove the three hours to Columbus blaring Foo Fighters the whole way, and even fighting construction traffic in Cincinnati, it didn't feel like three hours. We got there early and hit the sports bar across the street for appetizers and drinks. Everyone in the place was going to the concert, and the bar was rockin. I was giddy, euphoric, a kid on Christmas.

Sometimes the anticipation of something is better than the thing itself.

Not this time. Oh hell, no. Not this time.

Holy cow...holy smoke...holy shit! They were everything I wanted them to be. From the first chords of "Bridge Burning" to the last dying chords of "Everlong" (yes, they closed with "Everlong"...goosebumps!), the music was Oh my freaking God AWESOME!

They played for three plus hours. They played every single song I wanted to hear, both old and new. Dave Grohl's voice was perfect in spite of being on tour for months already. The band rocked! The Foo Fighters are no record-company-studio-synthesized-Frankenstein's monster. They can PLAY!

I sang until I was hoarse. I danced like a crazy woman. The next day, I felt like I had been in a car wreck. I know I had a mild case of self-inflicted whiplash. I danced my credit card right out of my pocket and lost it. I danced with my friend. I danced with total strangers...except in that moment, they weren't strangers. They were kindred spirits riding a rock and roll high with me.

That high has lasted. It carried us through the wrong turn that took us to Dayton at 1:30 in the morning instead of south to Cincinnati. It sustained me through the annoyance of cancelling my credit card, apparently right before some moron tried to pay his cell phone bill with it. It gave me the strength to teach my classes the next day on three hours sleep. Yeah, I went to work. I'm badass like that...lol.

For one glorious evening, I let every worry and responsibility go and rocked. I'm including a video I took of "Times Like These." There are better ones on YouTube, but this is mine. Dave starts out acoustically at the back of the arena and then runs back to the main stage. At that point, I kinda forgot I was recording and started dancing again, so I apologize for the camera work. It doesn't really matter though...all that matters is the music.

Rock on!

Friday, July 29, 2011

Inspiration, Perspiration and Beginnings

Before I write I let my mind go blind and let the lord do his thing. ~~Tupac

I admire Tupac's writing, and I have had those glorious moments where the world dissolves around me and I'm in the writing zone. More often though, I've found myself in Thomas Edison's camp. Writing, like genius, is more perspiration than divine inspiration, and nothing requires more work than a good beginning.

Do you read the first page of a book before you decide to buy it or check it out of the library? Without a recommendation from someone whose taste I trust, I do. Either the writer is going to hook me right away, or I’m going to choose something else. I might miss a few good stories, but usually, a meandering opening is the beginning of a meandering plot.

Rooting around in my old files, I found a story I wrote in 2002. The title was “Jumping Rails,” and honestly, the beginning wasn’t good. I described the weather. It was raining.

It was raining outside again. For almost a week now, it had been dark and dreary. The only variation in the weather had been in the intensity of the rain. Yesterday’s cold drizzle had become today’s blinding downpour. Abby peered out of the store’s plate glass window, but could see no farther than the edge of the sidewalk. There was nothing to see anyway. No one was coming out in this mess.

Good ole mood-setting description. If it’s done well, it can work, but honestly, this is meh. The problem here is that not only does nothing happen, but we also get no sense of who Abby is. A beginning should draw you into the story immediately. All we have here is a girl staring into the rain.

I wrote this story for a creative writing class, and when I started, I was drawing a blank, so I described the rain. I do this a lot actually. I describe my way into a story, establishing setting, mood and character until I find a plot thread to follow. My beginnings change dramatically during the revision process, and this story clearly needs more work.

Sometimes I don’t find a plot thread, or I hit a dead end. My files are littered with false starts. I got 15,000 words into Wish Fulfillment before becoming hopelessly stuck.

Rose stared at the clock on the wall. It mocked her, refusing to move. Maybe the batteries were dead. Maybe the gears had frozen. Maybe time had stopped, and she would be trapped in her cubicle forever, locked with her computer in a 3x2 teal fabric prison cell.

Her computer chimed, interrupting her macabre fantasy and informing her she had a new email. She clicked it open and winced. Shit. Rose had promised Solomon a week ago she would have lunch with him, but she had put him off several times since then, citing work as an excuse.

He was apparently tired of her excuses.


Even unedited, this is better than the first example. I’ve included mood-setting description, but it’s interwoven with characterization and a bit of the conflict is introduced immediately.

The opening to Sapphire Sins got full manuscript requests and ultimately an agent.

The rickety staircase spiraled down into the gloom. Diana hesitated. Heading deeper into the darkness seemed foolish now. She glanced over her shoulder at the exit and considered slipping back through it. The crisp night air beckoned, the lights of Manhattan tantalizingly close on the other side of the river. Those lights might as well have been 1,000 miles away.

Her pursuer lurked somewhere in the maze of old warehouses. His soft laughter had echoed between the abandoned buildings, an acoustic anomaly making it seem as though he was right beside her. She shivered at the memory, grateful now for the darkness.

Discretion is the better part of valor, Di. Hide until morning.

Mood setting description, characterization, conflict and action make an appearance in the first three paragraphs. I lost count of how many times I rewrote them. I do remember the first incarnation was a long paragraph juxtaposing the rickety staircase against the lights of Manhattan. I knew my heroine was being chased, but I didn’t know her yet, and I didn’t know who she was running from and why. Once I answered those questions, I eliminated the blind searching I was doing on the page and moved the story forward.

The first two paragraphs of my untitled WIP contain…you guessed it…mood-setting description.

The dim light of the bar suited her. The corner table suited her even more. She was virtually invisible, drinking her margarita rocks in almost solitude.

Almost solitude was perfect, exactly what she wanted. She could sling back tequila, triple sec, and a smidge of sweet flavoring and convince herself she wasn’t drinking alone without the bother of conversing with actual people.

I realize this is my fall back position when I start a story. I’m not concerned at this point, though. I have a firm grasp on the plot thread, and I’m making forward progress. When I have a completed draft, I’ll circle back around and rewrite it. Starting strong is so much easier when you know where the finish line is.

Guess which part of this blog post I wrote last? Yep...the first three paragraphs.

Thursday, June 30, 2011

The Divine Self

Real life and my WIP inspired me to write a poem. Read it left to right and then read each column top to bottom.

We create

our own

Heaven

We create

our own

Hell

Turn not

in anger
But

with patience
Meet

hate

with love
Face

pain

with compassion


In strength
Fight

despair

In hope
Resist

bitterness

Know peace

Wednesday, June 22, 2011

Sucky Solstice

The Solstice was rough this year. I felt like I was in one of Jessica Andersen's Nightkeeper books where major shit hits the fan on cardinal days. The first day of summer began with a dispute involving my car and a deer. Both believed they had right-of-way. The deer won, crossing safely while my car got up close and personal with a tree.

You haven't really lived until you've experienced airbag deployment. For a pure adrenaline rush, not much comes close. They should make it a ride at King's Island or something. I'll bet people would line up to experience that life-flashing-before-your-eyes sensation.

Other than a headache and a bit of psychological trauma, everyone is fine. My car...not so much. The body shop guy doesn't think it's totaled, but the insurance adjuster hasn't made his determination yet. If my guy is correct, I'll be waiting 2-3 weeks for my car to be repaired.

Sigh.

I've been driving my son's car for the last 24 hours. It's been a year since I've driven it, and I forgot how to turn his subs off. (If you're new to my blog, you need to read this post and this post about my son's massive sub-woofers.) I created quite a stir this morning at Chick-fil-A when I hit the wrong button in an attempt to mute the stereo. I'm pretty sure I rattled the plate glass windows.

I also discovered the A/C isn't working. When I asked my son about it, he just shrugged and said, "I roll down the windows."

Of course he does. How else would the rest of the world get to experience "that sick drop on the Waka Flocka Flame song." Young son was with me today and made certain everyone on the east side of town felt it. He wants to ride everywhere with me now so he can play with his brother's system. I'm usually glad to have his company. Now I'm finding reasons why he should stay home.

"And oh yeah, Mom, the brake lights are out on my car."

So I get to fix his A/C and brake lights in addition to the $500 deductible on my car.

Sigh.

So yeah, I had my very own Solstice drama. In Jessica's Nightkeeper books, a badass hero helps the badass heroine find the power to defeat whatever demon is threatening. Bruce helped me get the car to the body shop, but I dealt with the actual accident myself. I didn't panic in the face of airbags and a tree. I made sure everyone was okay and got my car back home. All things considered, I'd call that badass.

Friday, June 17, 2011

If you're snooty, you lose

I attended The Festival of the Bluegrass last weekend. My friend, Linda, has been trying to get me there for years. Her family organizes and operates the whole shebang. As much as I love Linda, I don’t love bluegrass music, so I’ve always begged off. This year, I caved, mostly because I decided it would be fun to hang with my friends regardless of the music playing in the background. And it was. This particular group of friends makes any Saturday night fun.

The sun was setting when we arrived, and the hot day softened into a warm June night. We set up our lawn chairs close to the back of the concert area and relaxed with our favorite beverages. Someone succumbed to the aroma and bought a funnel cake, and we took turns brushing powdered sugar off our clothes. (Those things smell so much better than they taste.) We laughed, shared stories, and made friends with the folks around us.

A funny thing happened while we were sitting there. The music became more than background noise. Bluegrass musicians are storytellers, and I love a good story. A good storyteller compels you to sit up and pay attention. I started paying attention when the lyrics made me laugh.

Grandma bought a hog
Grandma bought a hog
If yer thinkin’ bout bacon
Yer sadly mistaken
Grandma bought a riding hog

How can you not pay attention to a song about a Harley-ridin’ grandma? That gem was followed by “I Met My Baby in the Port-a-John Line.”

My eyes were a-floatin’ with love on my mind
I met my baby in the Port-o-John line.

As we were chuckling about the lyrics, Rachel told us her dad had been in a bluegrass band, and so she has a warm place in her heart for bluegrass music. She told us stories about traveling to gigs all over with him when she was a kid. Not a bad way to grow up, meeting new people and listening to amazing musicians.

The lyrics weren’t all silly. The bands I heard played songs about love and loss, joy and pain, faith and hope. The crowd loved them, and if I didn’t love them, I certainly let go of the snooty disdain I had secretly fostered when we first set our chairs down.

Then Mountain Heart took the stage. Holy cow! To say that I enjoyed their music would be a huge understatement. They were flippin’ incredible! Their music was as high octane as anything I’ve ever heard. I couldn’t sit still. I had to dance. On Linda’s suggestion, I moved with her to her reserved seats on the front row. Bluegrass fans are different from rock fans in that the staid old people have the front row seats and aren’t much for dancing. Security insisted that we stay seated so the staid old people could see. (Maybe they weren’t all old, but their insistence on church-like decorum made them seem that way.) Luckily, there were plenty of fans of all ages in the middle aisle who felt the music like I did and needed to dance. I was embraced by those folks and danced my little heart out.

Linda told me later that Mountain Heart wouldn’t be back next year. Their music is just different enough from traditional bluegrass that a lot of the hard core Festival-goers don’t like them, so they are rotating them out, and then bringing them back the following year. Apparently, some of the fans actually left the concert area in protest and didn’t return until their set was finished.

I was dumbfounded. While I heard other good bands, none of them brought it like Mountain Heart did. They actually made me say out loud, “I think maybe I do like bluegrass music.”

I let go of my snooty attitude when I sat and listened to live bluegrass, and then I embraced the music when I heard Mountain Heart play. Unfortunately, the next person won’t get that chance, at least for a couple of years, because a core group of fans has an equally snooty idea about what bluegrass should be.

How often do unyielding, preconceived ideas about what is good get in our way? As a romance reader and writer, I run into it all the time. If it’s romance it must be trashy and poorly-written. Romance fans know that snooty idea is wrong-headed on so many levels, and yet it persists.

My friend, Nick, posted an Esquire Magazine article on Facebook that listed Kentucky as one of the most stylish states in the Union. The comments on his post ranged from incredulous to derisive, and we live in Kentucky. The snooty stereotype that we’re all a bunch of overall-wearing rubes runs so deep, we’ve internalized it ourselves. I haven’t worn overalls since the 80’s when they were stylish for five minutes.

I’ve resolved to be less snooty about things I think I don’t like, especially if I don‘t really know anything about them. What else have I missed out on because it doesn’t fall into a Kathy-approved category?

If you don’t know Mountain Heart, check out the video below. It’s good, but it doesn’t hold a candle to hearing them live. For my Owensboro friends and family, they are playing this Friday night at Yellow Creek Park. Go check them out. I promise you won’t regret it.

Saturday, June 11, 2011

Are you a Back Row Joe?

I had a moment of self-awareness this week. I suppose it’s something I’ve always known about myself, but I saw it in terms I’d never thought about before.

I am a front row person.

I realized this in a Jazzercise class. My spot is on the front row and has been since the second or third month I started taking classes. I generally don’t look behind me once class starts because I’m focused on my own workout, but Amanda, the instructor, made a comment that caused me to turn around.

“You guys crack me up. Why is there always a huge gap in the middle of the floor?”

When I turned around, I laughed too. Seven or eight of us were at the front of the long narrow studio, followed by an open space, and then 15-20 more people in the back. It almost looked like we were segregated, and in a sense, I guess we were. Except in this case, the segregation was self-imposed and not based on any external trait.

Some people are front row people. You know if you're one of them. Do you hate being a nameless faceless member of the crowd? Do you want to interact with whomever is in the lead? Do you need to feel like you are part of the action? If you answered yes to these questions, then you are a front row person.

Don’t give me this line. “I like the front row just fine, but I’m not very good, so I stay in the back.” Sorry. You are not a front row person.

A true front row person wants the front row even when she’s not the best in the room. I make regular mistakes in the choreography, but I’m not worried about what the people behind me think. I honestly don’t care. I can’t focus on my workout and the writing I’m always doing in my head if I’m looking past people to see the instructor.

There is a gal with whom I frequently share the front row. She’s hilarious, and I love working out with her, but holy cow, she couldn’t find the beat if it bit her on the ass. I say this affectionately because she knows this about herself. When she can’t get the choreography, she makes it up. She has a glorious time working out and doesn’t give a rat’s patoot about the people behind her. She is a front row person.

Given the choice, from Kindergarten through grad school, I always sat in the front row in class. I wanted to hear what the teacher had to say, see the board, be noticed when I raised my hand. And no, I wasn’t that obnoxious kid who always kept asking questions when everyone else wanted to go. I had social skills. I wanted friends. I knew when to shut up, but I felt disengaged in the back. When I chose a back row seat, it was because the class was so boring being disengaged was a natural extension of being in the room.

The front row students in my classes always make themselves known. When the luck of the seating chart puts them in the back, they quietly come to me and ask my permission to sit closer to the front. I try to accommodate them because I understand their frustration. Unless I arrive late and have to sit in the back, I don't. Usually though, showing up late guarantees a front row seat because the world is filled with back row people.

Back row people fall into two general categories: Don’t wanna be noticed or Don’t wanna be caught. When I voluntarily sit in the back row, it’s because I don’t wanna be caught. If I’ve become disengaged enough that I don’t care anymore, I want to daydream, text, write, grade papers, plan lessons, plan blogs, etc., etc. without getting caught. The one place I always sat in the back row as a kid was in church. Speaks volumes, doesn’t it?

Other back row people don’t want to be noticed. These folks are not necessarily disengaged. They just don’t have the confidence to actively participate. The kid who struggles or is simply unprepared sits on the back row as does the kid who would rather eat glass than have the bright light of the class’ attention focused on him. I’ve seen kids in my class and fellow jazzercisers drift closer to the front as they gain confidence in their abilities.

I know I’m not the best at everything I do. In some areas, it’s not even a close thing, but I have always been driven to try. I’m a competitive, self-driven, type A personality. I hate to fail. It just pisses me off and pushes me harder. I’m pretty sure these qualities are what make me a front row person.

So I guess I’ve outed myself to my friends and colleagues. If they see me on the back row, I’m either late or I’m trying to get away with something.

Tuesday, June 7, 2011

Yeah, I'm a Fangirl. So what?

Jessica Andersen, paranormal romance author, molecular geneticist, and all around rock star, has a new book out. Storm Kissed is the next Nightkeepers book, a paranormal series built around the Mayan 2012 Doomsday Prophecy. In honor of her release day today, I'm reprinting part of my Day Four blog from last summer's RWA conference.

I met Jessica three different times that day and actually had a real conversation with her at the Rita awards dinner. So, yeah, I'm a total fangirl, and I make no apologies. She's awesome.

from RWA Day Four
The coolest part of the NAL/Signet autograph session was meeting Jessica Andersen. She writes the NightKeepers, a paranormal series about the Mayan 2012 myth. I already had the book she was giving away at home, but I took another copy because I wanted her autograph. I gushed like the fangirl I am and asked specific questions about the book. I knew Jessica was a good writer, but I didn't know she was a freakin' rock star. Seriously, she looks like Joan Jett, but prettier.

I was more impressed when I went to her workshop called "Crime Scene Imagination." Jessica has a PhD in molecular genetics. She is not only a rock star, but she can run a DNA test. The heading I wrote across the top of my notes said "Cool. As. Hell." And oh my god, she is. My Jessica story gets even better. At the Rita Awards, I discovered I was sitting next to her publicist. Jessica stopped by and we talked again.

I'm willing to put this not-so-great picture of me out here because she just rocked. I wish you could see the pants she was wearing. Cut-outs ran all the way up both legs. A molecular geneticist who writes steaming hot paranormals and dresses like a rock star...freakin' awesome!

Jessica did the crime scene workshop with her best friend's daughter who is a senior at Sam Houston State. She is a biology/criminal justice major and works on the body farm there, one of only four in the US. A body farm is where scientists study how the human body decomposes in a variety of situations. So we learned tons about decomp and DNA. Guess what? CSI is a pack of lies. They get almost everything wrong. On some level, I knew it wasn't realistic, but I didn't realize how wrong they got it.

So go buy Jessica's new book! Heck, buy them all! Her heroines are strong. Her heroes are hot, and her stories engage both the heart and the head. It doesn't get better than that.